I like a good argument me. This stuff can get quite heated, but at the end of the day, it's just an internet forum. I'm not anybodies life long buddy. It doesn't matter if we tread on a few toes, because wounds heal quickly on the internet, and it's not unhealthy to bare grudges, because people seem less real.
So let me begin ...
I would never listen to someone elses music and then plug mine as being better. For doing that Toady, you are quite simply a prick. I'm not saying this with aggression or anger or frustration - it's just a emotionless observation. You're blatently a sad ponse if your first response is to disrespect someone elses hard work, and then plug your own. There's nothing more to it really. Anyone with a small amount of courtesy or consideration wouldn't do that.
Having said that, I dont think you appeciate the work that goes into music that isn't already made for you. So it's possible your ignorance is making music composition seem cheap to you, when, in fact, it's actually incredibly complicated and rewarding.
Raven, I hear your points but you have to have experienced the technicality of the different approaches to the music to know what we're getting at.
Grim said it best here:
One more thing Raven, about your MS3D to MAX comparison. I see your point, but Think of it this way...Is someone really a good modeller if all they do is take pre-made, complex objects(such as pre-made arms, heads, etc etc), and construct models from them?
That's the best way of expressing it in more real world terms. We place all verticies. Toady just drags another head into the frame.
Here's something I'd expect a senile old woman to say:
Its as silly as saying that no computer program you write is yours, just because all the assembly code is setup by someone else.
We all know programming is a complex task, but Ejay isn't, so a better quote would be this:
Ejay is like putting together a game in The 3D Game Maker
A few more points before I go ...
I ignored everyone refering to my music as techno, but it's time to say it's drum'n'bass.
Now, depending on where you come from, that may make no sense whatsoever, rings a bell, or is something you know a little about. It's an England-born style, forming around 1995, designed purely as dance music, and is highly culture driven (i.e.You have to have grown up in the right place/with the right people to have grown up with it).
Its always composed around 170-180BPM, so my music isn't too fast. That track clocks in at 176BPM. It's all composed around this speed, obviously for mixing purposes.
Drum'n'bass has only just started being advertised here (and yes, it is the crap stuff they advertise). Up until a year a go, it was never plugged on TV or anywhere. Up until about 4 years a go you couldnt get it on CD - it was vinyl only DJ material.
Thanks for the offer of help gryvix. My drum'n'bass is my own unique take on it. Similar to those above, I've been involved in music for around a decade and have been digitally producing sinse '96. Sinse '97 when I first started releasing it online, I have received over 120,000 downloads, which I'd like to think is a testament to the fact my music isn't crap. On an old scene site, about 3 years a go (TraxInSpace.com), which had over 18000 members, I was the no.1 drum'n'bass artist for a long time. I also was artist of the month, and got 15 reviews and over 200 public reviews.
If you want to find out what amature drum'n'bass composers are like, and a bit more about the professional drum'n'bass scene, take a look at dnbscene.com, which is a site I formed around 2000.
I have dubs of my work pressed, and they are regularly spun but friends in Bournemouth and Southampton at drum'n'bass events and my tracks go down well.
Anyway, enough bitching and boasting. I just don't want people to listen to my music and think I'm a rookie because they don't understand the style. Believe me, my stuff isn't perfect production quality wise, and this is still an area where I need to improve, but composition wise, there's not a lot of difference between my work and the professionals.
Now, anyone for a cup of tea? I've just stuck the kettle on. I think I might have some scones too! Oh joy!
Machine: P4 2200, 1GB RAM, GeForce4 64MB, Audigy Platinum
http://www.breakbeat-terrorism.co.uk
(It's not all about the coding)